The track then moves to a sort of falsetto-duet which makes it a strange but enticing track. The song “Partners in Crime” starts off with hypnotizing guitar rhythms akin to that of the youthful playing in “Someday” from “Is This It,” showing their original fans they haven’t forgotten about them. I was drawn to this song for its neo-grunge sound and hardcore drumming, which is a genre the Strokes seem to perform well. The Strokes prove they still have the power and emotion they had in “Is This It,” the Strokes’ first studio album, and “Room on Fire,” their second album. “50/50” is a powerhouse track with abrasive guitars, scratchy vocals and driving drums.
The lyrics aren’t only humorous but memorable too, satirizing similar 80’s tracks and crooning, “What kind of asshole drives a Lotus?” The combination of the lyrics and infectious chorus make this a key track on “Comedown Machine.” It sets the stage for the album for being experimental yet endearing after the first few listens.Īnother standout track, “Welcome to Japan,” features more 80’s synth loops and thoroughly entertaining lyrics, creating a truly addictive track. Nonetheless, I grew to love the song and it soon became a favorite of mine from the album. Upon first listen, I was confused and a little disappointed because this was not what I expected from The Strokes. “One Way Trigger,” the first song leaked from the album, is a standout which utilizes Julian Casablancas’ vocals mixed with a catchy, repetitive synth to create a high power track.
Boasting 11 new tracks ranging from classic Strokes to 80’s synthpop, the new album “Comedown Machine” has as much variety as it does vitality.
The vintage RCA records vinyl sleeve cover art mimics the sound the band creates throughout the album: a recognizable, yet newly worked experiment with synthesizers and falsetto. After the weathered-looking red album recently hit shelves, the alternative band, The Strokes, are still pumping out solid tunes with their fifth studio album.
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